Back in the day, when I first started sewing, the lovely ladies who were teaching me to quilt gave me some advice. “If you see some fabric you like and think you’ll use”, they said, “buy at least 3 yards. It’s rare you’ll ever need more than 3 yards of any one fabric in a quilt top, and it’s usually plenty for the backing of a lap size quilt.” And so from my early quilting days, I started buying largish lengths of fabric for my stash.
For the first couple of years as a quilter, my stash was relatively small. There were some great quilt stores near where we lived on Long Island, so I never really felt the need to ‘stock up’ or hoard. So, if I saw some fabric that I liked and had tentative plans for, I’d buy it. At least 3 yards of it. But I never made a habit of it.
Then RR was offered a job in Switzerland, and we got ready to move back to Europe. Where quilt shops are less plentiful, and quilting fabric is significantly more expensive. And so before we left the US, RR took me on a massive fabric-buying spree in Lancaster County, PA. I spent a small fortune stocking up, but figured that we’d save a fortune too, given the price of fabric in Switzerland.
Now, don’t get me wrong. I don’t mind paying the going rate for fabric, and I would dearly love to support local quilting stores here. The problem is that there just isn’t enough choice, so to find what I want, I have to go online. And pay the resulting international delivery charges, as well as import duty and the not-insubstantial flat-rate ‘administrative fee’ charged by Swiss customs to merely process said package. So if I want to order a yard or two of fabric to complete a project, and am paying upwards of $25 for delivery, it makes sense to fill each and every flat-rate envelope I order to bursting with yummy fabric.
And so my stash kept on growing…
To enormous proportions…
To the point where it started to get overwhelming, and I had to start stashing in the spare room wardrobe, because I’d run out of room in my sewing room. It was all getting a bit out of control…
At the same time my tastes have changed. Pretty dramatically, actually. So although I still like the fabric I have, I no longer love all of it. And I’m never going be able to use it all. There’s. Just. Too. Much. Of. It.
That’s why I decided to have a massive clear-out. Get rid of the fabric that, realistically, I’m never going to use. Or which I bought too much of, have already used in another project, and no longer need. Or just don’t love enough any more to justify keeping.
And so I’ve spent the last month doing just that, working out what to keep and what it’s time to let go of. And I’ve been ruthless. I’ve cleared out well over half my stash. The pile of boxes to destash is now over 6 feet high…
These boxes contain yards and yards of fabric, along with some kits I bought and never got round to making. Pre-cuts such as jelly rolls, fat quarter bundles, layer cakes and charm packs.
… and other sized cuts of fabric…
…and a whole bunch of 1930s fabrics too.
All I have to do now is to work out how best to sell them! And for that, dear reader, I’m hoping for your help…
I was going to offer them to local quilty friends first, but after that I wasn’t sure. Where should I sell them? Online via my Etsy store? Or another way? I’ve seen destash sales and postings on Instagram, for example…
And then, how to sell them, as in what format? As yardage, or as bundles of fabrics that go well together? Or a bit of both? How do people like to buy fabric? How would you prefer to buy fabric?
Any thoughts and ideas extremely welcome! And don’t forget to check back soon for more details of my mahoosive destash :-)
Tomorrow I’m off to the latest Patchwork in the Peaks quilt retreat, organised by the lovely Ms E of Busy Needle Quilting (hooray!!!), so I’ve spent a good part of this week pulling together everything I need to take with me. Fabrics for the group project, WIPs I want to work on, a bunch of fat quarters for our regular game of Dice Swap and, of course, quilts for Show and Tell. It was while I was going through my finished tops to dig out something for Show and Tell that I got somewhat distracted by an old quilt top that I keep meaning to quilt. It’s my Flumpagon quilt, and I thought that maybe I should take it with me, to try and get some quilting done during the retreat. Sounds quite a reasonable idea, doesn’t it? So this morning I decided to get to work to piece the backing, so that I could pack it with everything else. Somehow, the backing fabric was in three pieces, two of which were around 46″ x width of fabric, and one of which was 18″ x width of fabric. Ok, ok, I thought, this is do-able, I’ll just have to cut it up a bit and piece it cleverly together. Then I got started. And this was when my latent OCD went into overdrive! The backing fabric is made of beautiful coloured diamonds, which remind me of a harlequin pattern. At first glance, it looks kind of random, but it’s not; and being me, I realised that I was going to have to do a fair bit of pattern matching if the quilt wasn’t going to bug me horribly every time I used it.
And so I got to work matching up the diamonds. I found the pattern repeat and chose one line of diamonds to work across, and I matched up and pinned the point of every single diamond along that line.
Then, using an open toe foot, I slowly sewed along the pinned line, making sure to sew right through the intersection between the diamonds. This was repeated several times until I’d managed to cobble together a big enough backing piece from all the smaller cuts of fabric I had.
All in all it took a good 4 hours to produce a quilt backing measuring approximately 55″ square. There was a fair bit of unpicking, as well as some Very Bad Language, but in the end, I have to say I’m very pleased with it.
After all, can you see the joins??? A touch OCD? Maybe. But I’m currently suffused with that smug feeling of a job well done, so all in all I have to say I think it was worth it :-)
Linking up with Lee at Freshly Pieced for WIP Wednesday.
I’m ashamed to admit that I haven’t blogged for a while. Well, for several months actually. Since Christmas in fact. Shocking!
That’s not to say that I haven’t been sewing. Far from it! I’ve been working on plenty of projects – and some of them I’ve even finished! I’ve made some pretty skirts for everyday wear, a glorious dress for a friend’s wedding, I’ve paper-pieced some cushions for Mum, and even finished off the odd quilt top too while I was at it. But to be honest, I’ve not been feeling 100% recently. What with one thing and another, my energy levels have plummeted and I’ve been left feeling like I’ve been put through the wringer. And while I’ve been feeling so wiped-out, I’ve just not felt inspired to sit down and write about what I’ve been working on.
But hopefully all this is about to change! RR and I have just got back from a wonderful relaxing holiday in Georgia, the sun is out, it looks like spring is finally on its way and I feel like starting new projects again for the first time in ages. And I want to tell the world about all my fantastic finishes and recent creations!
In short, I think I’ve got my blogging mojo back :-)
I’m pretty sure that this was in no small part due to a fantastic Fusing Workshop I attended last week, with the lovely ladies at my quilt guild, Patchwork du Léman. It was the day after we got back from the US, and I’d only managed a couple of hours sleep so I was feeling pretty jet lagged. Dragging myself out of bed and off to Blonay for the day took all the motivation I could muster. But I’m so very glad I did!
Truth be told, I wasn’t quite sure what to expect, given that the supply list instructed me to bring a variety of batiks, rotary cutter and mat, fusible web and a travel iron, with no mention at all of a sewing machine. But seeing as the workshop was led by the ever-wonderful Ms M, who constantly inspires me with her glorious creations, I was pretty confident that I would have a great time and learn something new and fun into the bargain.
And how right I turned out to be!
We started off by ironing the fusible web to the wrong side of a selection of co-ordinating batiks, then peeled off the backing paper, onto which we drew a 9″ square. We then drew a series of lines inside this square, starting with the corners and working in one direction towards the centre in an inward spiral, to create the template for a 9″ crazy patch.
Then, starting with the centre block, and working in an outwards spiral, we cut shapes from our pre-fused batiks to cover each numbered segment in turn, leaving a small 1/8″ overlap on each side, and fusing our pieces on top of the pre-marked backing paper as we went.
This fusing-as-you-go technique meant that each new piece we put down adhered to the previous pieces, with no need for sewing to secure them.
I really enjoyed this technique, and I actually ended up making 2 crazy patch blocks…
That’s as far as I got with them, but the next step would be to remove the finished piece from the backing paper, fuse the whole thing to some batting, add some backing fabric and use your machine’s decorative stitches (or hand embroidery) to secure the raw edges (thus quilting the block at the same time). Bind it and you’re done! These are destined to be a pair of pot holders for Mum, once I get them finished.
We then moved onto the concept of using the same technique to create pictorial blocks. Now I’m not at all artistic (as RR says, even the cats could do better than me…), and I don’t really do fiddly stuff, so I opted for simple. Very simple. Not too sure about this one (looks a little too much like a toddler’s creation with fuzzy felt for my liking), but I can see how this idea could be used to great effect by people more skilled than me.
Finally we tried our hands at a free-form, improv kind of design. What I really liked about this was how easily you can incorporate curves and other interesting shapes into a piece without actually having to faff around sewing them (always a bonus!), as well as providing a great way of using up all those little scraps that are just too pretty to throw away. I’ve never really done much improv piecing before, but I enjoyed this process, and although I now have no idea what to do with it, I created this…
… and this with all my little leftovers (which will be made into a card for the club)…
All in all, I had an absolute blast, learnt a fun new technique, and came back home exhausted but fired up to create something new. Ideas are now brewing, so hopefully I’ll have something to share with you very soon :-)
Linking up with Lee at Freshly Pieced for WIP Wednesday – hop on over and check out some more quilty loveliness!
‘Twas the night before Christmas when all through the flat
Not a creature was stirring, not even a cat
‘It’s so disconcerting’, Lynne Pussycat said
‘They’re being so quiet it fills me with dread…’
‘You’re awfully suspicious!’ said RR to Cat
‘They’re being angelic, let’s leave it at that!’
And so off to bed went the whole family
And left out for Santa a large G&T
A carrot for Rudolph, a plate of mince pies
‘Cos from the North Pole it’s a long way to fly!
But then at some godawful hour in the morn
(Don’t know when exactly, but way before dawn…)
A tremendous commotion broke out in the flat
‘Oh, what the heck’s happened? And where are the cats?’
RR ventured forth, to have a look-see
And discovered the kitties had toppled the tree
Had trashed all the presents and munched the mince pies
And sent Santa’s G&T soaring sky-high
Till it fell to the floor in a broken-glass puddle
Those dastardly cats, what a horrible muddle!
They were charging around as if they were possessed
Leaving in their wake such a terrible mess…
And so Christmas morning, at quarter past three
Was spent re-erecting the darned Christmas tree
Re-wrapping the presents, and calming the cats
Restoring tranquility throughout the flat
And two hours later, both tucked up in bed
Lynne Pusscat and Richard lay down weary heads
And said as they snoozed off and turned out the light
‘Merry Christmas to all, and to all a good night!’